The
opulent richness of the XVIIth century tapestry, the convergence
of Venetian music and the operas of Vivaldi with the sumptuousness
of Sicilian puppets, all, elements of the most scintillating baroque,
nourish a tragic vision of the individual quartered between triumph
and pain, eroticism and spirituality, femininity and virility,
the shell and the nudity. The primordial forest devours and rots
these exhausting contradictions which are throwing their last
sparks. |